Khalil drops the brush in the door and cranks up his stereo, blasting an old rap song Daddy has played a million times. I frown. "Why you always listening to that stuff?"

"Man, get outta here! Tupac was the truth."

"Yeah, twenty years ago."
​
"Nah, even now. Like, check this." He points at me, which means he's about to go into one of his Khalil philosophical moments. "'Pac said Thug Life stood for 'The Hate U Give Little Infants Fucks Everybody.'"
                                                          p. 17

The Breedloves did not live in a storefront because they were having temporary difficulty adjustitng to the cutbacks at the plant. They lived there because they were poor and black, and they stayed there because they believed they were ugly. Although their poverty was traditional and stultifying, it was not unique. But their ugliness was unique. No one could have convinced them that they were not relentlessly and aggressively ugly. Except for the father, Cholly, whose ugliness (the result of despair, dissipation, and violence directed toward petty things and weak people) was behavior, the rest of the family--Mrs. Breedlove, Sammy Breedlove, and Pecola Breedlove--wore their ugliness, put it on, so to speak, although it did not belong to them.
​                                                          p.38

Candy cried, "Sure they all want it. Everybody wants a little bit of land, not much. Jus' som'thin' that was his. Somethin' he could live on and there couldn't nobody throw him off of it. I never had none. I planted crops for damn near every'body in this state, but they wasn't my crops, and when I harvested 'em, it wasn't none of my harvest. But we gonna do it now, and don't make no mistake about that. George ain't got the money in town. That money's in the bank. Me an' Lennie an' George. We gonna have a room to ourself. We're gonna have a dog an' rabbits an' chickens. We're gonna have green corn an' maybe a cow or a goat." He stopped, overwhelmed with his picture.

"We know all men are not created equal in the sense some people would have us believe--some people are smarter than others, some people have more opportunity because they're born with it... But there is one way in this country in which all men are created equal--there is one human institution that makes a pauper the equal of a Rockefeller, the stupid man the equal of an Einstein, and the ignorant man the equal of any college president. That institution, gentlemen, is a court.... A court is only as sound as its jury, and a jury is only as sound as the men who make it up."
         - Atticus Finch, to the jury, p.234

Traveling between Reardan and Wellpinit, between the little white town and the reservation, I always felt like a stranger.

I was half Indian in one place and half white in the other.
​
It was like being Indian was my job, but it was only a part-time job. And it didn't pay well at all.

It is easier not to say anything. Shut your trap, button your lip, can it. All that crap you hear on TV about communication and expressing feelings is a lie. Nobody really wants to hear what you have to say.
 ....
​I see IT in the hallway. IT goes to Merryweather. IT is walking with Aubrey Cheerleader. IT is my nightmare and I can't wake up. IT sees me. IT smiles and winks. Good thing my lips are stitched together or I'd throw up.
                                     Melinda, Speak 

I wasn't sure what I was drawing.

That's not true.

I knew exactly what I was drawing. The only thing I could. I was going to re-create the scene, what had happened to me, what was playing constantly on the news, on the page.

First the outline. A teenage boy. Hands up. No. Erase. Hands down. No. Hands behind his back. Outline of a figure behind him. Bigger than he is. Holding him around the neck. No. Not that. Fist in the air. No. Not that either. Hand pushing through the teenage boy's chest. A building behind him. A store. Person in the doorway. Cheering.
               - Rashad, All American Boys

This isn't a history book....Instead, what this is, is a book that contains history. A history directly connected to our lives as we live them right this minute. This is a present book. A book about the here and now. A book that hopefully will help us better understand why we are where we are as Americans, specifically as our identity pertains to race.
                            - Stamped, Chapter 1