The June book for our Enchanted Garden Book Club is Towering by Alex Flinn. This is a Young Adult, modern retelling of Rapunzel. The story is told in two perspectives, both first-person present-tense, of the main characters Rachel and Wyatt.
Rachel, 17 years old, has been kept isolated by her Mama, cut off from the world in an old tower. What she knows of the outside world are old memories of her youth and books. The books are all older, classics, so she has no knowledge of the workings of the modern world.
Wyatt is the same age as Rachel. After a tragedy back home, losing his closest friends, he moves out to the country to live with Mrs. Greenwood, mother of his mom's childhood friend. There he comes across a diary of Danielle, Mrs. Greenwood's daughter, who had disappeared seventeen years ago.
Wyatt is able to hear Rachel's singing and finds a way to track the voice and meet her. The two end up saving each other, and solving a mystery of missing people in town.
This book wasn't a must-read for me. I was hoping to enjoy it more. Despite the first-person perspectives, I didn't feel connected to the characters. Some of the writing, especially in the early chapters, was confusing, with thoughts interrupting actions and conversation in odd places. Rachel is of course very naïve, due to her protected nature. I felt the romance was rushed, very much a fated, love at first sight, with no weight behind it. There were magical aspects to the story that didn't really get explained. I had hoped for possibly a connection to the Fae, but that didn't seem to be the case. There is a prophecy with nothing to support it, and no reasons given for Rachel's magical properties.
I have not read any of Alex Flinn's other titles, so cannot say how it compares. This does not seem to connect to the Kendra Chronicles. This met the basic premise of a Rapunzel retelling, but I'm sure there are better ones out there. Do you have any you would recommend?
This is our December book for The Enchanted Garden Book Club. Toads and Diamonds is a retelling of a Charles Perrault's tale. This is the first novel length version I have read, and I highly enjoyed it. Rather than taking place in a European setting, this book takes place in a fictionalized India. The two religions central to the story are both fictional but still feel authentic. Tomlinson did a wonderful job bringing the cultures and characters to life. I felt like I could step into their world.
Another refreshing change to to the tale is the family relationship. Like the original, there is a step-family. Diribani lives with her step-mother and step-sister, Tana. Unlike most fairy-tales, they all get along and care for each other. There is no wicked step-family here. The other big change that surprised me was the gifts the sisters got. Both went to the well and encountered the goddess, who listened to their hearts desire. One sister came out speaking flowers and gemstones, the other speaking toads and snakes. Yet both here are blessings, and not curses. They may not always see them that way, and of course other characters react in their own manner, but there is no clear "good sister" "bad sister" here.
Both sisters have their unique trials and tribulations as a result of their gifts, and must learn how to make the best of them. Despite the differences in their individual journeys, there are many echoes between the two that I enjoyed noticing.
The only thing I felt lacking was the end. I would have loved a short epilogue showing what came after. It still felt satisfactory, and I highly recommend this book. For a deeper discussion, check back later this month on our Enchanted Garden blog. In the meantime, come join us in our Facebook group to discuss this book and all things fairytale.
This is a story about bargains and debts. The threaded elements of Rumpelstiltskin are told thrice over. Spinning Silver follows the intertwined stories of three daughters. All flawed, not traditionally beautiful, and each finding their own strengths throughout the tale. Each has their life bargained away, yet they fight for their values and beliefs, don't give in to the patriarchy, and make their new lives better for it.
The main character is Miryem, a Jew in Lithvas, a fictional country in late medieval Europe. Her father is a money-lender, a traditional occupation for Jews, but he's not very good at it. After a hard winter and mother sick, young Miryem takes it upon herself to go out door to door and collect debts. She soon gains a reputation for turning silver into gold. But there is a fae-like race, the Staryk, who come with winter and are always seeking gold. The winter-king hears of her boast and wants her gifts for his own. He gives her Staryk silver to change into gold.
You can see the heart of the tale is definitely Rumpelstiltskin, but Novik truly makes it unique in the telling. I really enjoyed all the different character viewpoints and aspects. There were also some nice twists in the character motivations of the villains. What starts out as a good vs evil isn't so clear in the end.
I loved the magic elements. There is a strong fire vs ice theme throughout. Fire and ice, silver and gold. There is no name guessing like the original fairy tale, but there is an emphasis on the importance of names.
Spinning Silver started out as a short story, included in The Starlit Wood anthology. I re-read the short story before beginning the novel. The short only follows Miryem, and ends when she fulfills her bargain to the winter-king. The novel introduces more viewpoints, and continues the tale much further. I would definitely recommend just going straight for the novel. The text of the short story is included almost word for word as it is woven in, just expanded on in much more depth.
I can't really comment on the accuracy of the Jewish community, as my main knowledge is from Fiddlers on the Roof. The book doesn't go into a lot of depth on their religion/culture.
If you don't like first person point of view, or are easily confused by multiple point of view characters, then this book isn't for you. There are the three main characters, and a couple of side characters, that get viewpoints, and all in first person. It could definitely be disconcerting to some. I did find that I could identify who's head we were in within a few lines. Each character voice was different enough and quite well written.
Though this is marketed for adults, I believe the content is also appropriate for young adults. It is a longer book, 466 pages, so that may turn off some. The plot never dragged, it held my attention the whole way and was hard to put down. I definitely recommend this not just for fans of Rumpelstiltskin, but for any who enjoy a satisfying fantasy with strong female lead characters.
"...magic that came only when you made some larger version of yourself with words and promises, and then stepped inside and somehow grew to fill it."
If you're interested in discussing this or future titles with us, come join the Enchanted Garden Book Club group on Facebook.
Mirror, Mirror was an interesting take on Snow White and the Seven Dwarves. Gregory Maguire placed the story in a historical setting, Montefiore (in Tuscany, Italy) in the 16th century. It's historical fiction with a dash of magic. Elizabeth will be delving deeper into that historical foundation on our Enchanted Garden blog.
Like the original tale, we still have the elements of a step-mother type figure, a mirror, dwarves, and the attacks of hunter, comb, corset, and apple, and ending with a glass coffin and a kiss. This is definitely a Snow White tale. Where it differs is how it portrays those different elements.
There are a lot of politics in the early part of the book. The step-mother figure is Lucrezia Borgia, a historical figure known for her beauty and vengeance. She and her brother are responsible for sending off Bianca's (Snow White) father on a quest to find a rumored branch of the Tree of Knowledge with its three remaining fruits.
I felt the main themes were innocence versus sin. Even the magic had a religious undertone. You have the innocent Bianca, who goes away just as she is approaching maturity, retaining her innocence, and then sleeping through many of her years of change. She is away from the world and the carnal influences of the Borgias and the commoners of the village. Whereas Lucrezia is enjoying her time lording over the villa while the master is away. She does what she wants, and banishes or punishes anyone who gets in her way.
I had a hard time getting into the book with all the politics and the uncomfortable vulgar talk (and actions) of the commoners and Borgias. I thought the second half was better, once Bianca was with the dwarves, and I could see how other Snow White story elements came into play. But even then, I was analyzing it as the fairy tale, and not able to escape into the story and enjoy it on its own merit.
This was my first introduction to his work. He definitely has a way with description, as I have never seen the same metaphors or similes used. Here is one passage that stuck with me:
"One day the moon had swaggered up to the sun and punched it in the eye, and the world had gone midnight at midday. Birds had lost their bearing and smashed against the walls of the kitchen garden, and Primavera had made a stew of them."
You would probably enjoy this book if you are already a fan of Gregory Maguire's writing. Or if you enjoy books rich with history and politics. It did bring the tale more into this world.
Come back later this week, and join us at the Enchanted Garden to follow our discussion of Mirror, Mirror.
Mary W. Jensen. Author, poet, gamer, library shelver.